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Director: Jan Kounen, 2009. (R)
Having seen Coco Before Chanel, I was hoping that this film would be a continuation of the story of Gabrielle Chanel, even though it is not a sequel. To some degree it is. But it offers little in the way of story development.
This film recounts the relationship between Coco (Anna Mouglalis), the radical fashionista of Paris, and Igor Stravinsky (Mads Mikkelsen, Casino Royale) the revolutionary Russian composer, in the 1920s. Coco has lost her lover, Boy Capel, in a car accident, but meets Igor after being in the audience for the premiere of his composition "The Rite of Spring." The music is dissonant and matches the unconventional ballet performed by a Russian dance troupe. The audience boos and walks out, not appreciating the modernity of the occassion. Coco, though, seems to find a kindred spirit in Igor.
With a classical music score and beautiful cinematography, this foreign film is slow but could have been fascinating. Instead, it is tedious and dull. There seems to be no point; the story lacks tension and there is little character development, if any. Even the sex appears mechanical and passionless, as though they are going through the motions simply to meet a need. The leads have no chemistry and little attraction, so there is nothing to grip the viewer.
The most interesting point is how the relationship between Coco and Igor contrasts with their work. There, apart, they are passionate and devoted, breaking new ground. Together, there is no devotion, no love, nothing new, just age-old sex.
Copyright ©2011, Martin Baggs
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