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Bella is a beautiful film, a surprise hit of 2007. Defying genre definition, it is a true love story without the romance. It is a comedy without the hilarity. It is a drama with little action. Poignant and sensitive, it is a simple but profound life-affirming movie, a character-based story of two people who find redemption in the midst of pain and suffering.
Set in New York City, Nina is a waitress in a Mexican restaurant. When she turns up late for work for the third time, Manny, the owner fires her. Jose, the head chef and Manny's brother sees something in her, and leaves his station in the kitchen to comfort her. He senses she needs someone to talk to. As he picks up her dropped and forgotten teddy bear and runs after her, little does he know he is setting out on a journey of rediscovery, and both will do some soul-searching on the way.
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Bella was produced by Metanoia Productions. Metanoia is the Greek word for repentance, and this production company is a Christian film-making business intent on making inspirational, hope-instilling movies. Writer-director Alejandro Monteverde developed the idea for this film on his drive to Hollywood, then spent about a year putting the finishing touches on the script before showing it to friend and star Eduardo Verástegui. It was clearly a period of slow cooking to produce a winning recipe.
Putting Verástegui in the lead role was a great decision. A star and heart-throb in his native Mexico, and familiar to some US viewers for his role in Chasing Papi, he, too, had a life-changing experience. When he became a Christian he decided to become a monk or a missionary. But a priest in the monastery persuaded him to use his talents for God in making positive-focused films. And it has paid off. He has excellent talent, and is believable here against other lead Tammy Blanchard as Nina. Together, they bring a level of emotion to the screen that captures the heart of this movie.
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Revealing a secret and looking back on a decision that changed a life has a way of bringing it home again. But in the retelling there is often a cleansing, a catharsis. In Bella, Jose breaks down in his mama's arms, crying till he can cry no more. He who has been hiding in Manny's kitchen behind a huge beard, has chosen to emerge. Like a fragile butterfly emerging from its cocoon to face life, so Jose is finally ready to face life again. Sometimes it is necessary to face our demons, to release our secrets and in so doing their power over us is broken.
Jose's family is a wonderful Latin family. As they are preparing a fantastic feast to meet his younger brother's girlfriend, the house is filled with marimba music, and the fragrances of Mexican cooking. Joy and love are old friends here. And then at the dinner, more secrets are revealed, secrets that open other ways of thinking.
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At the very start of the film, as the waves wash against the shoreline, Jose narrates the line, "If you want to make God laugh, tell Him your plans." We all make plans, thinking we are in control, thinking we know where we are going. But it is illusory. Like Jose and Nina, sooner or later we will face an irreversible moment that will change our lives forever. It has or it will. Will we be ready? Do we know what is really important in life? Have we found the joy and love that family and relationships bring? Before telling God your plans, remember Bella. Remember that life is all about the little things, the moments that matter, the choices that define a character.
As Bella closes with a tear-jerking ending, it leaves the viewer filled with emotion. A little movie with largely unknown actors, it is all heart. And it succeeds in its intent -- of lighting a candle in the heart of the viewer.
Copyright ©2008, Martin Baggs
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