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Director: Brett Ratner, 2011. (R)
Occupy Wall Street, even Occupy Portland, has been center stage over the last few weeks. Clearly the idea of the 1% owning so much of the country’s wealth while most are swamped in debt with no job to provide any income, is anathema to many people. It is all those people, except the 1%, who will enjoy this film. It is timely comedy for this era.
Don’t expect too much though, it is full of plot holes large enough to drive a Ferrari through. It is mostly mindless entertainment, a screwball comedy that disengages the mind. Yet a study of the two main characters will bring some payoff from this heist.
Arthur Shaw (Alan Alda) lives in a penthouse apartment atop the grandiose apartment building called The Tower in the heart of New York. A suave and sophisticated financier, he is nonetheless a Ponzi schemer in the mold of Bernie Madoff. He lives like a king looking down on the minions whose money has made him a success.
The simple Joes who work at the Tower are unaware that Josh (Ben Stiller), their manager, has invested all their pension money with Shaw, who has promised to triple their portfolios. When Shaw is arrested on securities fraud, all his money is frozen by the FBI, and it is likely that their pensions have vanished with the wind.
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Once it is clear that the hotel employees have lost their pensions, and in some cases their life-savings, the film kicks into gear. When Agent Denham mentions to Josh over drinks that Shaw must have $20M stored secretly somewhere in the apartment, the plot is set. Josh decides to steal this from Shaw to return the pensions to the employees. He is a modern-day Robin Hood of sorts.
Josh is the leader, pulling each player into the gang. Where other caper movies, like the Oceans trio, focus on the capabilities of each of the members, here the gang are all incompetents. Even Slide is no real thief: he steals small satellite dishes from balconies to avoid felony convictions. What is endearing is the loose banter that develops between the gang as they plan the heist. This off-the-wall and tangential dialog is a hoot.
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Shaw is a satanesque figure, a god of this age (2 Cor. 4:4). With so much wealth, he controls much in this world and curries favor with the influencers. People see him as one of the good guys, a winner who has pulled himself up by the bootstraps, a true American hero. We love people like this, because we dream we can be like them. But would we be as heartless? Satan seeks to deceive, as he did from the beginning (Gen. 3:13), and destroy (Jn. 10:10). Would we be like that if we rose to a position like Shaw had? We hope not, but can we be sure? Appearances can be deceiving.
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The end, which I won’t reveal, underscores Josh’s commitment to his gang and to his staff and his willingness to serve them. He was not in it for himself, to become rich. He wanted to see justice served. Sometimes we must take justice into our own hands to do this, but when we do we must be ready to count the cost.
Copyright©2011, Martin Baggs
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