Director: J.J. Abrams, 2013 (PG-13)
The 2009 Star Trek reboot reintroduced a whole new generation to the characters of Kirk, Spock, Bones etc, and set the bar high for future installments. Abrams fails to clear his own mark this time, relying on a generic storyline and action sequences that entertain but ultimately fail to fully develop fully the characters. Where his earlier film reset the whole trekkie universe with the destruction of Vulcan and left the way open to explore new parallel universes, this one pays homage to the original series, brings Spock back face-to-face with himself, but does little more than that.
The movie opens with a scene that could have been taken straight from Raiders of the Lost Ark. Captain Kirk (Chris Pine) and Bones McCoy (Karl Urban) are running from spear-throwing natives in the jungles of a distant planet. Meanwhile Spock (Zachary Quinto) descends into the bowels of an active volcano, in an effort to save the planet (it takes a Vulcan to save a planet!). But Spock’s action is suicidal, as the Federation’s Prime Directive prevents the USS Enterprise from saving him, since the spaceship would be seen by the natives, thereby changing history. Spock accepts his impending death, since he is a rule-keeper. But Kirk sees things differently, and once rescued becomes rescuer even if he is breaking a rule or two. This prolog sets the scene and the ultimate theme, rule-keepers vs rule-breakers, to which we will return.
The heart of the story focuses on a renegade Federation officer, John Harrison (Benedict Cumberbatch, most recently of BBC’s Sherlock fame). When he destroys a London data center, causing immense devastation, he sets in motion a series of events, fundamentally pitting himself against the rest of Starfleet. But at that point, Kirk has been demoted from the captaincy of the USS Enterprise, after Spock’s truthful account of his earlier rescue, contradicting Kirk’s more vague record.
In a key scene early on, Admiral Pike (Bruce Greenwood) calls Kirk into his office and verbally reams him: “Do you know what a pain you are? You think the rules don't apply to you. There's greatness in you, but there's not an ounce of humility.” Herein lies the key contrast between Spock and Kirk. While Kirk sees Spock as having a “compulsion to follow the rules,” he himself is reckless. A cowboy, he flies by the seat of his pants.
Which is better: to be a rule-keeper like Spock, or to be a rule-breaker (or be above the rules) like Kirk? Humans have a contradictory compulsion to maintain both in tension. We love rules. We formulate rules for others to keep. This is at the very heart of religion. As Jesus said of the Pharisees, the religious leaders of his day, quoting the prophet Isaiah, “These people honor me with their lips, but their hearts are far from me. They worship me in vain; their teachings are merely human rules.’ (Mk. 7:6-7) When we have these rules, we have something objective to measure ourselves against, and we can through our own efforts keep these rules and feel proud. This leads to legalism.
But the other end of the spectrum houses the rule-breaking anarchist. Such a person considers himself above the law, apart from the rules. He can do what he likes, he is outside of the system. Such thinking is also proud and superior. In this way, we supplant God and place ourselves on the throne, just as Lucifer did when he rebelled against the creator (Isa. 14:12-14).
The key is to be humble and live with the tension. We must keep the rules where possible, such as the golden rule (Matt. 7:12) and the greatest commandments (Matt. 22:36-38). But we can break the rules when the rules become constrictive and require us to deny God and disobey his commands (Acts 4: 19-20).
The whole gang is back alongside Kirk and Spock: Bones, Uhura (Zoe Saldana), Sulu (John Cho), Checkov (Anton Yelchin) and my favorite, Scotty (Simon Pegg). Scotty brings the humor, but the film belongs to Cumberbatch, who proves an eminently superior villain in many senses of the word.
The movie has multiple set-piece action sequences, and Abrams is the master of staging these. His big-budget production experience is on display here. And there are any number of references to the original TV series, including Mudd, tribbles, and Khan. But to say more is to give away spoilers.
The other theme that is on display is the evolution of friendship between Kirk and Spock. In the first film, there was a tension between them despite old-Spock’s admission to young Kirk that their friendship was crucial. Here, we see them find this despite Spock’s tendency to put Kirk into trouble.
Friendship is one of the joys of humanity. It requires time and energy. It is developed often in the crucible of pain. It evolves through careful choice. When faced with suffering caused by another person, if we choose to forgive the friendship may thrive; if we choose to blame and harbor grudges, the flame of friendship may be extinguished. We see this in Kirk and Spock clearly in this film. And, as clichéd as it may be, they each teach the other a thing or two about feeling emotion and sacrifice.
Their friendship reminds me of two biblical verses. The first is from the book of Proverbs: “A friend loves at all times, and a brother is born for a time of adversity” (Prov. 17:17). Friendship is founded on love. The second comes from Jesus’ upper room discourse to his disciples: “Greater love has no man than this, that a man lay down his life for his friends” (Jn. 15:13). Kirk demonstrates this toward the end, in a poignant scene with Spock, separated by a glass wall. We can only hope for a deeper evolution of character in all crew members in the next film.
Copyright ©2013, Martin Baggs