Director: Fred Cavayé, 2010 (R)
A man is running from a pair of gangsters, clutching his side where blood oozes out. As he descends several flights of stairs, he calls a partner to meet him. Running wounded, he manages to evade his pursuers, until he is involved in a motor accident. As implausible as it seems for a man as wounded as he is, this opening chase summarizes the ensuing film: it will be one long action-packed chase with a plot full of holes. But the action is enough and the film short enough (at 84 minutes) to keep us engaged and not thinking about the plot problems in this French thriller.
This
man, Sartet (Roschdy Zem) is a killer and ends up in a
coma in the hospital under nurse-in-training Samuel’s (Gilles Lellouche, Tell No One) care. Samuel is studying for his nursing exams while
his beautiful and very pregnant wife Nadia (Elena Anaya, Talk to Her) is confined to bed rest at home. When Samuel
interrupts an attempt to kill Sartet in his hospital bed, Samuel finds himself
hailed as a hero, a status that lasts only until his wife is kidnapped.
With
Nadia in the hands of unknown men, Samuel has to somehow get Sartet out of the
hospital. In doing so, he finds himself chased by the police as a killer and by
the unknown criminals. With nowhere to turn, Samuel is a desperate man willing
to take desperate measures, including breaking the law, to find and save his
wife.
Despite
the far-fetched aspects of the film, Point
Break is a full-on adrenaline rush from the very start. With long foot
chases throughout, the film is one mad dash to the climax. There are some
twists along the way, with suspense enough to balance the action. Its success
is apparent in the fact that Hollywood has decided to do an English remake.
Not
all is what it seems here. The film reminds me of Tell No One, which also had an everyman hero and which Lellouche
acted in. Where Tell No One had a man
whose wife was dead and who was contacted to pursue a mystery, Point Break has a man whose wife is
alive but facing death. He, too, is told to tell no one and his decision to
disobey and tell the police causes the police, under Commander Werner (Gérard
Lanvin), to seek his arrest as a cop-killer. Both films show a man desperate
and without friends, sought by unknown criminals. Both are good thrillers.
The
heart of the film is the question, how far will a desperate man go to protect
and save his wife. Will such desperation justify criminal activity, violent
action, even murder?
When
no one is available to turn to, a desperate man will take desperate action. And
it is hard to say what we would do in similar circumstances. But King David did
offer another solution in one of his psalms: “Listen to my cry, for I am in
desperate need; rescue me from those who pursue me, for they are too strong for
me” (Psa. 142:6). He cried out to God when he, too, was in a desperate
situation. This was during the time when David was on the run from Saul (1 Sam.
22) and God did protect and provide for him, ultimately giving him the crown as
King of Israel. David was no stranger to
violence and even broke a number of laws (like Samuel in the film), but his
reliance in desperate times was on God.
We
can remember David’s prayer when we are frantic with worry and in the midst of
desperation.
Copyright ©2013, Martin Baggs
Copyright ©2013, Martin Baggs
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