Tuesday, September 29, 2009
Fallen -- seeing with eyes of faith
Director: Gregory Hoblit, 1998.
Not too many Hollywood films have explicit themes that are religious in nature. Religion, though an integral part of the lives of many people worldwide, is politically incorrect as a topic or theme in the West. Yet Hoblit's Fallen is overtly religious dealing with faith and demons. As a supernatural thriller it is engaging and effective. As a primer on biblical theology it is less effective.
Denzel Washington (The Taking of Pelham 1-2-3) plays Detective John Hobbes, a homicide cop who struggles with the big philosophical and theological questions of life, like "Why are we here?" His divorce has left him alone, living with his brother and nephew. His partner, Jonesy (John Goodman, Barton Fink), is a foil to allow Hobbes to ponder these questions. Interestingly, Hobbes' name is taken from the combination of two 17th century philosphers, Thomas Hobbes and John Locke. These both explored the innate nature of humanity, whether evil or rational and good. And these are themes explored in Fallen.
After an opening scene that leaves us wondering about Denzel Washington's character (Detective John Hobbes), we flashback in time to see him visiting a condemned killer he captured, Edgar Reese (Elias Koteas). Hobbes is the one on the outside of the cell, but Reese acts as though Hobbes is the one trapped and imprisoned. Indeed, Reese is arrogant and cocky, confidently shaking Hobbes' hand though death is only minutes away. As he skips to his execution he sings, "Time is on my side," a key song throughout. And before he is put to death he touches the executioner.
Hobbes thinks the string of serial murders has run its course, but how wrong he is. When a clue whispered to him by Reese shows up written on the wall of another murder victim, Hobbes begins to question what is going on. Something is happening that appears evident only to him.
And that brings us to one of the themes and points of contact with biblical Christianity. Hobbes says it, "Something is always happening, but when it happens, people don't always see it, or understand it, or accept it." It takes him a while but he begins to see. Our eyes are closed to the unusual and invisible. We see what we expect to see. But many times things are hiding in plain sight. The supernatural, the immaterial, is not visible to the eyes in our head. But they are visible to the eyes of faith. The prophet Elisha saw the chariots of fire that surrounded his city although his servant did not (2 Kings 6:16). When Elisha prayed God opened his servant's eyes of faith to see what Elijah already knew was there (2 Kings 6:17). It often takes faith to see things.
Sometimes, though, we see things that don't match our experience and disregard or ignore them because they don't fit our paradigm. This happens to Hobbes. As his investigation into the next several murders escalates it seems that the killer has the exact same modus operandi as Reese. Yet Reese is dead; Hobbes saw that with his own eyes. Something else is behind these chilling crimes.
Hobbes visits Gretta Milano (Embeth Davidz, Junebug), a theology professor and daughter of a dead detective. Asking questions about her father's death, Hobbes pries into a past she wants left alone. As she verbally spars with him, she asks, "You believe in God?" This is a strange question to ask a homicide detective, although coming from a theologian perhaps it is not unusual. Hobbes responds, "Just Sundays. My job, seeing what I see, faith isn't easy to sustain." We are back to seeing. He has become jaded and cynical from seeing too much evil and its effects. But Gretta says, "What you see in your job is nothing." His physical eyes are open but his spiritual eyes are blind.
Gretta's question is pertinent to us. Do we believe in God? That is one of the fundamental questions of life. How we answer it will steer how we live our lives. Of course, as a follower of Jesus I affirm the existence of God (Heb. 11:6), the God of the Bible (Gen. 1:1). He is there if we seek him (Deut. 4:29). But it takes faith to find him and to come into relationship with him through Jesus (Jn. 14:6). Faith itself is fundamental to life. If we do not believe in God, like so many atheists, that disbelief itself is an act of faith. When we ride in our cars we have faith that our brakes will stop us before we plow into the car stopped at the red light in front of us. We cannot avoid faith. The real question is, in what or in whom do we place our faith? Hobbes placed his faith in what he could see. He was a pragmatist. But that would change.
As Hobbes' eyes begin to open he realizes that there is something sinister and supernatural behind the events and the murders. He suspects a demon named Azazel is possessing the killers. With no one to turn to with these "non-rational" thoughts, he takes his suspicions to Gretta for her assessment. "I believe more is hidden than is seen," she tells him. Hobbes is still not ready to see the spiritual in the physical world: "Well I believe what I see, but I'm still trying to get my mind around what I just saw."
At its heart, Fallen is about opening the eyes of faith. A demon is an invisible spiritual being that is personal and usually stronger than people. The Bible presents demons as a reality (Matt. 8:16). They were originally created as angels who were good but rebelled against God, their creator, and chose to follow Lucifer, or Satan, the chief opponent of the Lord (Rev. 12:7-9, Jude 6). In their rebellion they have fallen, hence the title.
These fallen angels can possess humans. There are many examples of this in the gospel accounts (Mk. 1:32; 5:18; 7:26). Part of the ministry of Jesus and his disciples was to cast out these demons, freeing the demonized (Matt. 9:32-33). It is clear that they can move from host to host; when the demons were cast out of the two demoniacs of Gadarenes, Jesus cast them into a herd of swine (Matt. 8:28-32). But exactly how they pass from person to person is not elaborated in the Bible. A means is postulated in Fallen, as this plays an important role in the film.
As a thriller with a shocking ending, Fallen works well. And hopefully it opens some eyes to the unseen reality of the spirit world that surrounds us. If so, it moves us towards a crisis of faith, as it did for Hobbes. Are you seeing yet?
Copyright ©2009, Martin Baggs